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( Chinese, 1911 - 1990 )
Untitled
Materials:
ink and color on paper
Measurements:
25.59 in. (65.00 cm.) (height) by 18.90 in. (48.00 cm.) (width)
Literature:
Zhang anzhi’s growth and activities in the 20th century Chinese art from the traditional to the modern transformation of the critical period, while accepting good Chinese traditional education and western modern education. Zhang anzhi over 60 years of artistic creation, in his early years, mainly oil painting, and later Chinese painting landscape and calligraphy. He loved poetry and literature, and often wrote poems on his own works. Chinese paintings, oil paintings, prints, watercolors, pink paintings, drawings, calligraphy, ceramics and other works reflect the dramatic changes in Chinese society. Since the 1940s, dozens of exhibitions of calligraphy and painting have been held at home and abroad, and their works are collected by museums and art galleries at home and abroad. Chinese paintings can be divided into landscape, figures, flowers and birds, with more elders and fewer part-time workers. And zhang anzhi’s traditional Chinese painting also grows each kind, and has the unique place. Out of the old stereotypes, highly innovative spirit. Landscape painting, many of the ancients, but zhang anzhi is not. He has traveled around huangshan, kuanglu, taishan and lived in guilin for a long time. He painted scenes and colors, all taking the beautiful scenery in front of his paintings, not only the interest of the literati, but also the elegance of the age, full of vitality. Zhang anzhi’s landscape painting since the 1960s, its path forward is very clear. Many of his huangshan mountain, has not the matter in front of his eyes, but the mountain in his heart, has a charm beyond the scene.
Untitled 1983
Oxford Bell Tower 1947
Fishing 1943
Moon Of East Mountain
Riverside
Riverside 1940
Sunrise On The Sea 1950
Lake Side 1940
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